by woof woof ! » Mon Feb 25, 2008 1:38 pm
Ang Lee , LUST CAUTION
At two and a half hours this occasionally painfully slow paced chinese language offering from Ang Lee requires patience from it's audience , a patience however that is fully rewarded as the films gradually unfolds .
partial review from the Guardian
The title gets it the wrong way around. What we have here is first a lot of caution, then an explosion of lust. Ang Lee has followed his magnificent version of E Annie Proulx's Brokeback Mountain with another love story - more explicit in many ways, though more complex and oblique - and it's a movie that showcases Lee's flair for period detail and genre stylisation.
For his sheer muscular verve and ambition, Lee deserves a standing ovation. Orson Welles was described once as picking up a play with the confidence of a marksman picking up a rifle, and that is exactly how I felt Lee handles this source material: a short story by Eileen Chang. He has given Tony Leung a chance to shine with one of the most charismatic and memorable performances of his career, and in the twentysomething newcomer Tang Wei, he has made a tremendous discovery. Fiercely intelligent and hauntingly beautiful, she gives a passionate, courageous performance that deserves a shelf-full of awards; it's already made her an Asian movie-star to rival Zhang Ziyi.
Lust, Caution is an erotic espionage drama, a little like Hitchcock's Notorious in its plot, set in Japanese-occupied China in the second world war. Tang Wei plays Wong Chia Chi, an unassuming young college student who in 1939 finds herself left behind in Hong Kong when her father flees to England. But Wong is to find her calling when she is invited to join a theatre troupe performing patriotic plays, the purpose of which is to raise cash for the homeland's defence. Her performances are electrifying, and the collection tins are chinking, but their leader Kuang (Wang Leehom) is impatient with mere play-acting. He wants to use their talents for more direct action: namely, an elaborate sting that will ensnare the hated collaborationist police chief Yee, played by Tony Leung. Wong will seduce him by pretending to be a bored married woman in search of adventure, and once Yee's guard is down, he will be assassinated.
The plan ends in bloody catastrophe, and Yee gets away, reappearing in Shanghai in 1942, where Wong also fetches up and the official resistance contact her with a message: they were impressed with her amateur attempt and the plan is back on. She must begin the seduction anew, but this time both hunter and hunted are older and more careworn; idealism has become clouded with fear and exhaustion, and does each suspect what the other is up to? There is a whiff of sulphur in the air along with the whiff of sex. The conditions are in place for a love affair of intense eroticism, obsession and betrayal.